Hi everyone!
I’m Bay— I don’t know if any of you remember me, haha. I used to be known as fukokun here on the utaforum and in general for a while. I’ve been using UTAU since 2011-ish, especially around the early 2010s and around 2018. I was the creator of Fuuko Zonbi and Azuki Onino.
Over these past few years I’ve found myself missing UTAU a lot, and I’m happy to be back in the community after discovering all sorts of things like OpenUtau, new recording software, new resamplers, and all sorts of people doing cool new research on vocal synths.
I want to help share my knowledge and help others (and invite new ones) to create with vocal synths, whether it’s through OTO commissions, recording advice, or anything else. I also lived in Japan for several years during my absence from the community, (may go back in a few years, who’s to say) and look forward to using my knowledge of the language, etc to help others.
I plan to create some more voicebanks as well, including editing and releasing ones I recorded many years ago but never did anything with.
I hope you will re-accept me with open arms
I’m Bay— I don’t know if any of you remember me, haha. I used to be known as fukokun here on the utaforum and in general for a while. I’ve been using UTAU since 2011-ish, especially around the early 2010s and around 2018. I was the creator of Fuuko Zonbi and Azuki Onino.
Over these past few years I’ve found myself missing UTAU a lot, and I’m happy to be back in the community after discovering all sorts of things like OpenUtau, new recording software, new resamplers, and all sorts of people doing cool new research on vocal synths.
I want to help share my knowledge and help others (and invite new ones) to create with vocal synths, whether it’s through OTO commissions, recording advice, or anything else. I also lived in Japan for several years during my absence from the community, (may go back in a few years, who’s to say) and look forward to using my knowledge of the language, etc to help others.
I plan to create some more voicebanks as well, including editing and releasing ones I recorded many years ago but never did anything with.
I hope you will re-accept me with open arms
